However, Resolve doesn’t quite understand this and will track the different objects as they shift position, resulting in your window getting a little skewed. This is when the subject(s) in the foreground appear to be moving at a different speed than the subject(s) in the background.
With a moving camera you will occasionally get very obvious parallax. That’s where these tricks come into play. Sometimes it doesn’t work quite as nicely as we would hope. Drop on a window, adjust the sizing, and then hit tracking and you are set with a wonderfully tracked window. Going over the basics, Jordan does explain that tracking in Resolve is amazing already. He claims these are going to make your life so much easier. This is essential for precise color grading and automated tracking can save so much time as you edit.Īgain, Alex Jordan from Learn Color Grading is here to show us all a collection of tips and tricks for getting more out of the tracking features in Resolve. It has so many well-developed tools that make the job much, much easier, and one of the best is the advanced tracking. DaVinci Resolve is hands down one of the best pieces of software if you want to do some intense color grading for film and video.
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